Duladeo Temple, Chhatarpur: History, Timings & Visitor Guide

Duladeo Temple is open every day, usually from early morning to late evening with a break in the afternoon. Darshan and aarti timings change with the season and on festival days.

• MorningOpens early morning (around 5 to 6 AM)
• AfternoonShort break around midday at many temples
• EveningEvening aarti around sunset, closes by about 8 to 9 PM

Ask the temple office on arrival for the day's aarti schedule.

Dress Code & Temple Rules

• DressModest, traditional clothes covering shoulders and knees
• FootwearRemove before entering; use the shoe stand
• PhotographyNot allowed inside the sanctum
• Not AllowedLeather items, tobacco, alcohol, non-veg food
• QueueFollow queue lines and staff instructions on festival days

Duladeo Temple is one of the 22 temples to the Hindu god Shiva, which are among the 87 temples that were created by the Chandela rulers of Central India. The peak period of building activity was from 950 to 1050 AD in the small village of Khajuraho. The temples belong to the traditional religions of Hinduism and Jainism. They are identified under three groups or three zones - the western zone, the eastern zone and the southern zone. Ibn Batuta, the Moroccan traveller had attested to the existence of these temples even in 1335. The temples in the southern group are the Duladeo and Chaturbhujs. All the extant temples were inscribed in 1986 under the UNESCO List of World Heritage Sites under Criterion III for its artistic creation and under Criterion V for the culture of the Chandellas that was popular till the country was invaded by Muslims in 1202. It is also said that Madanaverman (1128–1165) of the Chandela dynasty built this temple during his reign.

The sculptures in the temple have strong identity with those found among the remnants of a temple in Jamsor near Kanpur in Uttar Pradesh. From this similarity it has been inferred that the sculpturing at both locations were the handiwork of the same sculptors and further that they were created during the period from 1060 to 1100, during the reign of Kirttivarman. However, Archaeological Survey of India has inferred the period of temple building activity in Khajuraho from 950 to 1150 AD based on palaeography and the architectural style.

From the name Vasala inscribed at a number of locations in the temple, it is inferred that the name is of the chief sculptor who created the sculptures.

Architecture of Duladeo Temple

The temple is categorized as a nirandhara temple. Nirandhara means a layout without the ambulatory path consisting of a sanctum without an ambulatory, a vestibule, main hall (maha-mandapa), and an entrance porch. The layout of the temple does not have a circumambulatory passage which is probably due to the fact that it was the last of the temples built in the 12th century during the reign of Chandelas, when the peak period of their construction phase had already passed. The temple pinnacle (shikhara) is created in three rows of minor shikharas. Its features are in general conformity with those adopted for the other temples in the Khajuraho complex. The classification according to the physical characteristics of the monuments consists of a raised base, which is a sub structure over which the richly decorated structure rises and is covered with rich sculptures. The architectural style is Nagara, representing Mount Kailash, the abode of Shiva.

The main hall in the temple is very large and octagonal in shape. Its ceiling has elegantly carved celestial dancers (apsaras). There are twenty such brackets carved with the apsaras, with two or three apsaras next to each other in each bracket, and arranged in the ceiling in a corbelled circle. The damsels dancing around trees, and women in erotic poses are also part of the temple architecture. It is said to be the "last glow of Khajuraho's architectural and sculptural mastery". The top rows in the facade have sculptures of supernatural beings (vidyadhara) in a vibrant mode. In the porch entrance, there are sculptures of river-goddesses under cover of umbrellas and decorations of pompons.